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Pablo PICASSO: Naked woman with Turkish cap, signed lithograph

Pablo PICASSO (1881-1973)(after)
Naked woman with Turkish cap, 1974

Lithography (Mourlot workshop)
Signed in the plate
Numbered / 300 copies
On vellum 75 x 52.5 cm
Authenticated by the stamp of the Association of the Biennale de Menton

REFERENCE: Rodrigo Catalog Raisonné, Vol. I #259

INFORMATION: Lithograph placed on stone by Henri Deschamps based on the eponymous painting which appears in the collections of the Center Pompidou, under the inventory number #AM 1984-637
This lithograph was created for the poster for the Menton Biennale, under the control of Picasso who died a few months before the event.

Excellent condition, possible small defects in the margins
This description has been translated automatically. please click here Click here to display the original language FR

Pablo Picasso : Pablo Ruiz Picasso is one of the greatest artists of the 20th century. Born in Malaga in 1881, he arrives at Barcelona at 15 and makes his first exposition five years later. He established himself at "Bateau-Lavoir" studio in Paris (Montmartre) in 1904. His early paintings are classical at that time and divided by periods, the "blue period" (1901-1904) followed by the "pink period" (1904-1906). Marked by new influences (Ingres, Cézanne, Gauguin) and new meetings (Matisses, Braques, Derain), Picasso's painting made a radical turn clearly perceptible in his "Demoiselles d’Avignon" (1906-1907). This geometrization which quickly became fragmentation, followed by Braque, announced the birth of Cubism. In this revolutionary artistic impulsion, the year 1911 is marked by the first "papiers collés" of the art History. His native Spain clearly influenced his works between 1930-1944. Affected by the Civil War, he awaked himself to militancy with "Guernica", 1937. A same anxiety can be felt through his parisian works during Second World War ("Still life with steer skull", 1942). His setting in the south of France and his membership to the Communist Party in 1944 gives way to hope in his painting ("La joie de vivre", 1946). Years 1950-1960 show the influence of contemporaries such as Matisse and great masters as Delacroix, Velázquez, Manet or David. He works until his death in Mougins, in 1973.

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