ustav KLIMT (after) - The girl with the silk stockings on the stool - Numbered lithograph

Gustav KLIMT (d’après) - La fille aux bas de soie sur le tabouret - Lithographie numérotée 2

Description
Information

GUSTAV KLIMT (after)
The Girl with Silk Stockings Sitting on The Stool

Lithograph after original drawing from 1910 & for the 1st time in the world in Lithography for the 150th Anniversary of the birth of Gustav Klimt.

Produced in partnership with the Leopold Museum in Vienna.
Edition of 40 signed & numbered copies.

Lithograph date: 2012 (150th anniversary birth Gustav Klimt).
Publisher: FRANCE ART DIFFUSION
Lithograph in 7 colors.
Paper: Arches vellum.
Signature: Signed & numbered in pencil by the lithographer.
Signed in pencil by the editor & workshop director Anthèse N. Draeger.
Dry stamp from the publisher: Galerie France Art Diffusion, Atelier Anthèse & Lithographe.
Reference in pencil: Leopold Museum, Vienna.
Condition: Perfect condition.

From the drawing to its printing, this lithograph has been entirely realized by hand. With the same technical and artistic constraints, the same moves are made on the very same period machines. Drawn and printing colour by colour on "Marinoni Voirin" lithographic flat press of 1920.

Dimensions :
- Height : 87 cm
- Width : 59 cm

This item is sold by a professional art dealer who guaranties its authenticity. This item is used (second-hand)

Gustav Klimt : (1862-1918) born in Baumgarten (Austria) on July 14th, 1862 and died in Vienna (Austria) on February 6th, 1918. Gustav Klimt is an austrian symbolist painter, and key figure of the Secession movement, which he founded in 1897 with Koloman Moser, Josef Hoffmann, Joseph Maria Olbrich, Max Kurzweil, Wilhelm Bernatzik and others. Then already successful, with this movement he was hoping to transform art, and to break off with conservatism. This movement spreaded the Art Nouveau spirit in the whole country, and contributed to transform art in a general sense. He made more than 200 paintings (including a lot of women's portraits) among which the public knows particularly well he "golden period", in reference to the gold leaves he was using on his canvases. His work is now exhibited all around the world.