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Man Ray - À l’heure de l’observatoire - Les amoureux, 1970 - Photolithography

Man Ray (1890-1976)
À l'heure de l'observatoire - Les amoureux, 1970

Photolithography signed and numbered 69/150 in pencil by the artist.
Edition in 150 copies on wove paper.
Paper dimensions : 67 x 104 cm
Image dimensions: 35.3 × 89.6 cm
Published by J. Petithory, Paris.
Reasoned catalog reference: Anselmino 15

All margins, exceptional state of conservation.

In 1932, Lee Miller, Muse of Man Ray since 1929, left him. Man Ray immediately begins the large eponymous painting, "Lovers - At the time of the observatory". These lips are those of Lee Miller,
photographed by Man Ray and enlarged, floating in the sky above the Paris observatory. They also symbolize the two bodies of Man Ray and Lee Miller side by side.

The work becomes one of the most popular of Man Ray who works it in several techniques, a black and white photography then in colors then this photolithography.

Man Ray : (1890-1976) born Emmanuel Radinsky, is a painter, photographer, director, and main actor of dadaism in New York, and then surrealism in Paris. He is a central figure of the avant-gardes of the XXth century. Along with Marcel Duchamp, he formed the American part of the Dada movement, until he realised that “Dada cannot live in New York”, because of its puritian atmosphere at the time. In the beginning of the 20’s, Man Ray went to France, in Paris, and met the surrealists via Marcel Duchamp: Louis Aragon, André Breton, Paul Eluard among others. He settled in Montparnasse and meets his muse, the notorious Kiki de Montparnasse. In 1925, he presented his works with the surrealists at the galerie Pierre in Paris. It is really through the art of photography that Man Ray made his name: for more than 30 years he revolutionized photography, and contributed to valorize the great pioneers of the History of photography that preceded him. In the beginning of the WWII, he left France to go back to America, joined by Salvador and Gala Dali, and René Clair. He spent the rest of his life in Hollywood, and was buried in 1976 at the Montparnasse cemetery, going back to his artistic roots, with the following epitaph “Unconcerned but not indifferent”.

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