Trusted Art Marketplace
Post war and modern art, contemporary art, asian art, orientalist art, archaeology…

Prima Ballerina (Edgar Degas) - Bronze reproduction

Reproduction in bronze





Molded on the original work by Edgar Degas
A certificate from the publisher will be attached.
Bears the dry stamp of the Moulage workshop Musée du Louvre
Dimensions: 45 x 32 x 11cm

The original work is kept at the Musée d'Orsay

Edgar Degas practiced sculpture in parallel with painting essentially to improve the latter. The practice of sculpture becomes essential at the end of his career when he chooses it as a
privileged
means of expression.

Dimensions :
- Height : 45 cm
- Width : 32 cm
This description has been translated automatically. please click here Click here to display the original language FR

Edgar Degas : (1834-1917) is a french painter, and one of the major figures of impressionism. He received an artistic education between classicism and romanticism, studying the great masters at The Louvre (Mantegna, Véronèse, Dürer, Rembrandt...). He studied at the Fine-Arts School in 1855 and visited Louis Lamothe's workshop, Ingres' pupil. Degas then made several trips in Napoli, Firenze and Roma, copying masters from Renaissance, where he discovered the macchiaioli movement. Degas also admired Delacroix, was interested in japanese prints and tried historical painting (Little spartan girls provoking boys, 1860). He met Louis Edmond Duranty and Édouard Manet. Degas created many portraits (Woman leaning near a flower vase, 1865). Though his "Race horses in front of the tribunes" (1869-1872) reflected more remarkably his originality. From 1873, he played an active role in the genesis and history of the impressionist group. He participed to the exhibitions from 1874 to 1886 (series of « Toileting women », started near 1883). At The "Salon des Impressionnistes" of 1881, he exhibited one of his first sculptures : the fourteenth years old dancer in wax. The artist renewed the rendering of space in his paintings and audacious framings and light effects (Café-Concert des Ambassadeurs, 1876-1877). Because of sight problems (starting in 1893), he slowly set oil painting aside and dedicated himself to different technical devices (charcol, pastel, gouache). At the end of his life, he realised sculptures, engravings, etching and poems. The artist died in Paris in 1917.

Sold

This item is not available. Please click on « View the catalog » to see similar items available.

Hotline Please contact us for any question regarding this object. For any other inquiry, we invite you to fill the contact form.
Other items from the category « Edgar Degas »
This should also please you