Karel APPEL - Miss Shanghai Very Sexy Eyes, 1964 - Original Hand-signed lithograph
Miss Shanghai Very Sexy Eyes, 1964
Original HAND-SIGNED lithograph on BFK Rives paper, printed on double pages, from the scarce signed edition of 100.
From the Deluxe on Rives paper Hors-commerce copy!
Edition HC/100, not to be confused with the common unsigned edition of 2000.
Hand-signed & plate-signed by Karel Appel lower margin.
Dimensions:
+ Size of the sheet: 41 x 58 cm / 16,1 x 22.8 in.
Condition: In very good condition, with some soft handling creases at the edges. Folded as published & printed on the back as issued. Please note that the last picture is a simulation only, the artwork is NOT framed.
Issued from the iconic Pop-Art portfolio "One Cent Life".
"One Cent Life" was an avant-garde publication that combined written works by Walasse Ting with contributed artworks by Pop and Abstract artists such as Roy Lichtenstein, Jim Dine, Joan Mitchell, Mel Ramos, Sam Francis, Andy Warhol, among others.
Published by E.W. Kornfeld, Germany, Written by Walasse Ting, Edited by Sam Francis.
A COPY OF THE JUSTIFICATION PAGE WILL BE PROVIDED "Exemplaire H.C.Walasse Ting, 22/6/1964 Paris
Please note that the justification is NOT printed on the back of the artwork that you purchase but on a DIFFERENT sheet.
Authenticity is unconditionally guaranteed as this is the first time the works have been removed from the original signed portfolio.
Dimensions :
- Height : 41 cm
- Width : 58 cm
Karel Appel :
(1921-2006), is a dutch painter and sculptor, cofounder of the group CoBrA. He studied at the Académie royale des beaux-arts in Amsterdam between 1940 and 1943, and started exhibiting in 1946. He was influenced by Pablo Picasso, Henri Matisse and Jean Dubuffet. He joined the Nederlandse Experimentele Groep, and then the CoBrA movement in 1948, with Corneille, Constant, Asger Jorn, Jan Nieuwenhuys and Christian Dotremont.
In 1950, he went to Paris, and developed an international reputation, traveling to Mexico, USA, Yougoslavia and Brasil.
His first exhibition took place in 1946 in Groningue in Netherlands. Then at the Palais des Beaux-arts de Bruxelles (1953), the Martha Jackson Gallery in New York (1954), the Galerie Rive Droite in Paris (1955-1956), in 1968 at the Centre d'art contemporain de Paris, at the Centraal Museum (Retrospective), Utrecht, Netherlands (1970), the musée d'art contemporain de Montréal (1972), the New York Cultural Center (1973), the Wildenstein Gallery (London), the Fuji Television Gallery (Tokyo) 1975, the Museo de Arte Moderno (retrospective), Mexico (1977), the Paris Art Center (1988), the National Museum of Art, Osaka, the Hiroshima City Museum of Contemporary Art (1989), the Fundacion Juan Miró, Barcelona (1990), the National Museum of Comtemporary Art, Seoul (1994), the galerie Lelong, Paris (2003, 2009, 2011), and at the Cobra Museum, Amstelveen (2005).
He died in 2006 and was burried at the Père-Lachaise cemetery.
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