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Pablo PICASSO (After) - Le Goût du Bonheur (W), 1970 - Lithograph on Vélin d’Arches paper

Pablo Picasso (After)
Le Goût du Bonheur, 1970

Lithograph on Vélin d'Arches paper, after 1964 Pablo Picasso's drawing.

Dated on the plate top right.

Dimensions:
+ Size of the sheet: 32,5 x 25 cm / 12,7 x 9,8 in.
+ Size of the image: 18 x 12 cm / 7 x 4,7 in.

Condition: In very good condition, with soft handling creases at the edges.

Issued from "Le Goût du Bonheur: A Suite of Happy, Playful and Erotic Drawings" portfolio, numbered 113/666.

It comprises three of Pablo Picasso's 1964 studio sketchbooks. This is the sole edition of re-creations that will ever be made of these hitherto unpublished drawings. The album was realized under the personal supervision of the artist.

The album is edited thanks to the collaboration of three publishers: Harry N. Abrams, Inc., New York, Éditions Cercle d'Art, Paris & Carl Schünemann Verlag, Bremen. This copy is issued from the New York edition.


A COPY of the justification page (not the original) can be provided UPON REQUEST.

WE SHIP WORLDWIDE WITH DHL.

Dimensions :
- Height : 32,5 cm
- Width : 25 cm

Pablo Picasso : Pablo Ruiz Picasso is one of the greatest artists of the 20th century. Born in Malaga in 1881, he arrives at Barcelona at 15 and makes his first exposition five years later. He established himself at "Bateau-Lavoir" studio in Paris (Montmartre) in 1904. His early paintings are classical at that time and divided by periods, the "blue period" (1901-1904) followed by the "pink period" (1904-1906). Marked by new influences (Ingres, Cézanne, Gauguin) and new meetings (Matisses, Braques, Derain), Picasso's painting made a radical turn clearly perceptible in his "Demoiselles d’Avignon" (1906-1907). This geometrization which quickly became fragmentation, followed by Braque, announced the birth of Cubism. In this revolutionary artistic impulsion, the year 1911 is marked by the first "papiers collés" of the art History. His native Spain clearly influenced his works between 1930-1944. Affected by the Civil War, he awaked himself to militancy with "Guernica", 1937. A same anxiety can be felt through his parisian works during Second World War ("Still life with steer skull", 1942). His setting in the south of France and his membership to the Communist Party in 1944 gives way to hope in his painting ("La joie de vivre", 1946). Years 1950-1960 show the influence of contemporaries such as Matisse and great masters as Delacroix, Velázquez, Manet or David. He works until his death in Mougins, in 1973.

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