Isadore Lévy (1899-1989) Branford oil on canvas signed, dated and titled Dimensions 74 x 39 cm This striking work explores the vibrant palette of geometric abstraction. Framed in a rectangular format, the painting features a series of overlapping rectangles, each delineating a distinct shade. The bold colors—blue, yellow, purple, and red—are intensely textured, creating a captivating visual depth. The contrast between the vibrant yellow and the more subtle tones emphasizes a harmonious dynamic. The jagged edges of the shapes evoke movement and spontaneity, suggesting a fluid interplay between order and chaos. The grainy gray background adds a raw dimension, accentuating the work's modern character. Born in Scranton, Pennsylvania, Isadore Levy studied in France and at the Pennsylvania Academy. An American ex-patriot, he left America for Europe after receiving an art scholarship at age 20. Continuing his studies in Paris, Levy exhibited with the School of Paris circle, then in New York. After a 15-year return to America with his French wife during the European Fascist years, he returned to France in 1950. His widow held a retrospective in Parisian suburb Maisons-Lafitte in 1990. His exhibits included the Salons des Independants; Autumn Fairs; Galerie Vignon (Leger's major gallery and the first gallery to showcase Calder's mobiles), Wildenstein, and Charles Egan
Dimensions :
- Height : 74 cm
- Width : 39 cm
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Isadore Lévy (1899-1989)
Branford
huile sur toile
signé, daté et tîtré
Dimensions 74 x 39 cm
Cette œuvre saisissante explore la vibrante palette de l'abstraction géométrique. Encadré dans un format rectangulaire, le tableau présente une série de rectangles superposés, chacun délimitant une
nuance distincte. Les couleurs audacieuses - bleu, jaune, violet, et rouge - sont intensément texturées, créant une profondeur visuelle captivante. Le contraste entre le jaune éclatant et les tons
plus subtils souligne une dynamique harmonieuse. Les bords irréguliers des formes évoquent un certain mouvement et une spontanéité, suggérant une interaction fluide entre ordre et chaos. Le fond
gris granuleux ajoute une dimension brute, accentuant le caractère moderne de l'œuvre.
Born in Scranton, Pennsylvania, Isadore Levy studied in France and at the Pennsylvania Academy. An American ex-patriot, he left America for Europe after receiving an art scholarship at age 20.
Continuing his studies in Paris, Levy exhibited with the School of Paris circle, then in New York. After a 15-year return to America with his French wife during the European Fascist years, he
returned to France in 1950.
His widow held a retrospective in Parisian suburb Maisons-Lafitte in 1990. His exhibits included the Salons des Independants; Salons d'Automne; Galerie Vignon (Leger's major gallery and the first
gallery to showcase Calder's mobiles), Wildenstein, and Charles Egan
This item is sold by a professional art dealer who guaranties its authenticity. This item is used (second-hand)