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Pablo PICASSO (after) - Portraits Imaginaires, 1969 - Lithograph

Pablo PICASSO (after)
Portrait Imaginaire, 1969

Colour Lithograph from an interpretation by Marcel Salinas
Proof signed and dated in the plate on the left.
Good general condition
Proof without text from the limited print of 250 copies
Justified for France : F 68/250
The print without text for the USA is A 1 to A 250.
Dimensions : 65 x 50 cm
Catalogue raisonné Czwiklitzer reference 402
Leaflet Cercle d Art reference 27 2 69 I
Guillard & Gourdon lithographs - Editions le Cercle
d'Art.

The lithograph will remain framed if the work is retrieved in Paris.
If the work is to be shipped, it will be sent unframed in a cardboard tube.
Dans le cas contraire, l'estampe sera envoyée dans un tube en carton, décadrée.

Dimensions :
- Height : 65 cm
- Width : 50 cm

Pablo Picasso : Pablo Ruiz Picasso is one of the greatest artists of the 20th century. Born in Malaga in 1881, he arrives at Barcelona at 15 and makes his first exposition five years later. He established himself at "Bateau-Lavoir" studio in Paris (Montmartre) in 1904. His early paintings are classical at that time and divided by periods, the "blue period" (1901-1904) followed by the "pink period" (1904-1906). Marked by new influences (Ingres, Cézanne, Gauguin) and new meetings (Matisses, Braques, Derain), Picasso's painting made a radical turn clearly perceptible in his "Demoiselles d’Avignon" (1906-1907). This geometrization which quickly became fragmentation, followed by Braque, announced the birth of Cubism. In this revolutionary artistic impulsion, the year 1911 is marked by the first "papiers collés" of the art History. His native Spain clearly influenced his works between 1930-1944. Affected by the Civil War, he awaked himself to militancy with "Guernica", 1937. A same anxiety can be felt through his parisian works during Second World War ("Still life with steer skull", 1942). His setting in the south of France and his membership to the Communist Party in 1944 gives way to hope in his painting ("La joie de vivre", 1946). Years 1950-1960 show the influence of contemporaries such as Matisse and great masters as Delacroix, Velázquez, Manet or David. He works until his death in Mougins, in 1973.

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