Edgar DEGAS (after) : The dancers in green - Signed screenprint

Screen print : Screen printing, also known as silkscreen, serigraphy, and serigraph printing - from latin "Sericum (silk) and greek "grapheion" (writing) - is a printing technique that uses a woven mesh to support an ink-blocking stencil to receive a desired image. The attached stencil forms open areas of mesh that transfer ink or other printable materials which can be pressed through the mesh as a sharp-edged image into a substrate. It is possible to use different meshes, for different colors, and create multi-colored works. In the field of art, it is important to know how many prints have been made. The total number of prints is usually written on the print (e.g 20/200).
Edgar Degas : (1834-1917) is a french painter, and one of the major figures of impressionism. He received an artistic education between classicism and romanticism, studying the great masters at The Louvre (Mantegna, Véronèse, Dürer, Rembrandt...). He studied at the Fine-Arts School in 1855 and visited Louis Lamothe's workshop, Ingres' pupil. Degas then made several trips in Napoli, Firenze and Roma, copying masters from Renaissance, where he discovered the macchiaioli movement. Degas also admired Delacroix, was interested in japanese prints and tried historical painting (Little spartan girls provoking boys, 1860). He met Louis Edmond Duranty and Édouard Manet. Degas created many portraits (Woman leaning near a flower vase, 1865). Though his "Race horses in front of the tribunes" (1869-1872) reflected more remarkably his originality. From 1873, he played an active role in the genesis and history of the impressionist group. He participed to the exhibitions from 1874 to 1886 (series of « Toileting women », started near 1883). At The "Salon des Impressionnistes" of 1881, he exhibited one of his first sculptures : the fourteenth years old dancer in wax. The artist renewed the rendering of space in his paintings and audacious framings and light effects (Café-Concert des Ambassadeurs, 1876-1877). Because of sight problems (starting in 1893), he slowly set oil painting aside and dedicated himself to different technical devices (charcol, pastel, gouache). At the end of his life, he realised sculptures, engravings, etching and poems. The artist died in Paris in 1917.

Beyeler Foundation (Switzerland)
Museum of Modern Art of Troyes (France)
Museum of Art and History of Neuchâtel (Switzerland)
The Nahmad Collection (Monaco)
EG Bührle Collection Foundation (Switzerland)
Sammlung Oskar Reinhart Am Römerholz (Switzerland)
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Armand Hammer Museum (The USA)
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Northumbria University Gallery & Baring Wing (United Kingdom)
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RISD (Rhode Island School of Design Museum of Art) (The USA)
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David Winton Bell Gallery - Brown University (The USA)
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Victoria & Albert Museum (United Kingdom)
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Henry and Rose Pearlman Foundation (The USA)
Hugh Lane Municipal Gallery (Ireland)
Museo Botero (Colombia)
Tours Museum of Fine Arts (France)
Virginia Museum of Fine Arts, Richmond (The USA)
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